I was seated in the London Coliseum in St Martin’s Lane watching a performance, hardly my usual weekday evening entertainment. It was my first time ‘at the opera’ and I had absolutely no comprehension of the storyline unfolding on-stage. Instead, my mind was wandering to a recent rewatch of the 1976 horror film ’The Omen’. It was ostensibly about the cruel, devilish offspring of a United States ambassador to London who delights in plotting terrible ends for the adults around him, his elevated status immunising him from scrutiny. Viewing it again, I had wondered if the movie had been written by American screenwriter David Seltzer as an allegory for the subset of wealthy, privileged heirs who zealously execute their destructive ambitions to make life hell for the ‘little people’ around them. In Hollywood? In London?
During my career in a media industry dominated by the privileged, I have observed many such ‘fortunates’ seemingly glide effortlessly through their gilded lives, exercising a steely determination to wreak havoc and mayhem on us ‘unfortunates’. One colleague at a London ‘indie’ record company was driven to suicide by his manipulative, lying boss who subsequently was promoted to the top of the industry with impunity. I had mentored an excellent daytime radio presenter with incredible ratings who was sacked by a new station boss lacking any radio production experience, ostensibly because the DJ in question was black. Sadly, he never worked in radio again. I have witnessed the ease with which talented Brits’ careers and lives have been destroyed by managers wielding their power of destruction in a sad indictment of Britain’s rotten class system.
The British political system stinks in exactly the same way. Think chancellor George Osborne’s imposition of a wholly unnecessary ‘austerity’ policy in 2010-2016 that reduced so many to poverty in order to further enrich the already rich. Think the entire ‘Brexit’ scam dreamt up by Old Etonians to wilfully impoverish the entire non-privileged nation. While the rest of us lose sleep fretting about how to pay our red reminders, those lacking such money worries are granted sufficient time and energy to plan and plot ways to destroy others’ lives. I have no idea why some who inherit so much wealth seem to delight in destroying the lives of those of us lacking silver spoons.
Why was I at the opera? I was three weeks into a new media analyst job in London when my boss kindly offered me and a work colleague two tickets each to attend English National Opera’s performance of Monteverdi’s ‘Orfeo’, described by the ‘Financial Times’ as “so entrancing that analysis can only belittle its impact.” This unexpected invitation to such a posh event had necessitated the hasty purchase of a designer formal jacket for me, my most costly clothing purchase ever, and a smart dress for my wife, rendering the invitation not as ‘free’ as it had initially appeared. I had never had to dress up like this to skank beside the speaker columns of Jah Shaka’s reggaesound system nights! However, having just started with my latest employer, it seemed churlish not to accept such an apparently generous offer.
So, there we were, my wife and I sat together for two hours (without interval) on the venue’s plush front row seats in our finery, accompanied by my work colleague and her partner. I had no inkling my boss would be attending too, but there she was, sat between us two couples as if an enthroned queen flanked by loyal courtiers. It was all very civilised. A night at the opera! How innocent the occasion appeared. I wondered whether there would be further ‘refined’ cultural events I might be invited to attend, their expense normally off-limits during two decades living in London. At the end of the performance, we said our goodbyes and headed home our separate ways. For one night, I had been a guest in posh peoples’ world. I was not reflecting upon why my new workmate and I alone out of the larger analyst team had been offered invites.
My young female colleague had arrived at Enders Analysis unannounced soon after me. ‘HT’ was likewise employed as a media analyst, having just relocated from a plum job at the German office of a global entertainment business in order to join her boyfriend in London. Until her appearance, I had been hastily installed at a spare desk in a cramped, noisy upstairs office shared with other analysts. It was less than ideal to be in such close proximity to the incessant banter of loud, patronising former private schoolboys. Then, Claire Enders instructed HT and me to work together in a previously unoccupied large basement office that was eerily spacious and quiet. We were given our first client project that would utilise our combined knowledge of the music industry and copyright systems.
We quickly found other things we had in common. We were both ‘outsiders’ compared to the company’s all-male all-Brit analyst staff that, mostly toff, appeared to have scant hands-on industry experience. HT was North American, while I had relocated there for six years and had worked for a large American media public corporation. We set to work on our first little client project which pleasingly necessitated little contact with our colleagues sat two floors above us. Our basement room felt like a private oasis of calm compared to the strident, booming male voices prevalent upstairs.
For lunch, the men upstairs would frequent a local ‘greasy spoon’ café whose food had made me ill after accepting an invitation to accompany them during my first week, or they visited a ‘Spaghetti House’ restaurant. Cooked lunches had never been my thing. I preferred a sandwich or wrap, so I would accompany HT to the local ‘Pret A Manger’ or ‘Eat’ to buy takeaways. Frankly, after my initial attempt at social lunching with the lads upstairs, during which they had grilled me about which school I had attended thirty years ago, enquiring whether it was a ‘private’ grammar school, I was relieved to have an excuse to escape their company.
London’s Mayfair district proved a bizarre place to work. Not only is it the most expensive square on the ‘Monopoly’ board, it remains home to the city’s richest residents, costliest townhouses and most exclusive shops. Around the corner from our office was the shop window of ‘The Spy Shop’ in South Audley Street, displaying secret camera apparel and surveillance equipment hitherto only seen in James Bond movies. Shopfronts with beautifully lit showrooms had inordinately expensive huge shiny new cars inside to tempt a passing resident to pop in impulsively one lunchtime and casually lay down a volume of cash that could have bought me my first house.
HT and I would regularly walk past the Millennium Hotel in Grosvenor Square where former KGB spy Alexander Litvinenko would be poisoned later that year. When the weather allowed, we sat in the Square on a bench to eat our takeaways, overlooked by the United States Embassy and opposite the statue of American wartime president Franklin Roosevelt. HT laughed when, reading the plaque beneath the monument, I pronounced his middle name as ‘Del-AH-no’. The only person I had come across before with that name was Jamaican singer Delano Stewart whose song ‘Stay A Little Bit Longer’ had been one of my first reggae purchases in 1970.
Other days, we would walk further to the ‘Eat’ shop on Berkeley Square, sit inside if it was wet or otherwise find a bench in the calming Square, chatting about our working lives before having been thrown together by our present employer. On one occasion, we walked after lunch to the Myanmar embassy on Charles Street to pick up visitor visas for HT and her boyfriend to take a vacation booked there. I kept my opinion to myself about supporting an oppressive regime through international tourism. These carefree lunchtimes made my job bearable at a time when I was already finding our employer’s master/servant management style worryingly reminiscent of ‘Upstairs Downstairs’.
After a few weeks in the basement office, we completed our first project successfully and I was hoping that we would be asked to work together in the service of a further client, given how successful and productive we had been. However, it was not to be. I was sent to the offices of a law firm to work on a project that would occupy the rest of my year. Despite her expertise on the issues with which I was now tasked, HT was elsewhere working on other projects. At my new location in an office block above City Thameslink station, I now ate lunch alone in a cheap nearby takeaway. Those carefree spring and summer days munching our food together became a distant memory. I no longer had a lunchtime respite from the oppressive work environment in which I was immersed.
Months later, on a rare occasion when I returned to the Mayfair office, HT buttonholed me and asked if we could chat privately. She seemed uncharacteristically worried and upset. She told me about two distinct issues that had understandably shocked her. Our boss, Claire Enders, had contacted her boyfriend after the opera event we had attended and the two had talked without her prior knowledge. Secondly, her boyfriend had come to believe that HT and I were having some kind of workplace affair. I was astonished. This was all unknown to me, I explained. I had certainly done nothing to propagate such a falsehood. Whether she believed me or not, I never discovered. Mine was an innocent friendship with a woman who was closer to the age of my daughter than to old-man me. What could I do to rescue this situation? Apparently, nothing.
Weeks later, I learnt indirectly that HT had quit work, though there had been no goodbye or official announcement. She had simultaneously broken up with her boyfriend and returned to her home city in North America, presumably to rebuild her upended career. I was shocked and saddened. What had precisely happened I would never know, but it might appear to an observer that my positive working relationship with HT, unbeknownst to me, had proven a catalyst for forces that I had neither anticipated nor understood. Nobody else in our workplace seemed the least concerned about HT’s disappearance after her few months there.
Much later, in March 2007, Claire Enders asked me to contact HT to request some information about a project she had done during her time in our office. I refused, explaining that I did not feel HT would want ever again to hear from anybody at Enders Analysis. I did wonder why I was being singled out for this task rather than any one of my colleagues. It felt like a concerted effort to rub salt into the fatally wounded relationship between myself and HT. Enders persisted and so I eventually did write a cringingly inappropriate email begging for information. I received no reply and understandably so. I never heard from HT again.
Perhaps this was just a strange workplace misunderstanding into which I might have read too much, you could be thinking. Mmmm. Later that year, a young female intern was given a temporary desk in our now crowded basement office of all-male analysts in Mayfair. Such interns were usually the offspring of high-flying media owners whom Claire Enders had befriended and they often displayed almost zero interest in our work. This one was unusual because she was a student friend of Claire Enders’ daughter at St Andrews University, the alma mater of British royalty and the rich.
Everyone else in the office rudely ignored her presence so I chatted with her and discovered she was a big music fan. I lent her my ‘C86’NME cassette, a compilation of my original Scottish ‘Postcard Records’ singles that I treasure, and a reissued Ella Washington CD of soul recordings for ‘Sound Stage 7’. When she admitted she had no record player in her rented London accommodation, I lent her one of my vinyl turntables, barely touched since my pirate radio days. We chatted regularly in the office environment and that was it. She was around the age of my daughter.
After a few weeks’ work, the intern confided that Claire Enders had started to allege she was self-harming. I had seen no evidence to support such an accusation and was shocked that such a serious assertion had been made. I could offer no explanation as to why this was happening. Then, at home in my kitchen one evening after work, I received a call from the intern’s parents who asked if I could elucidate why their daughter was being falsely accused of self-harm. I could not. Then the parents alleged that they had received numerous unprompted calls from Claire Enders insisting they act to resolve their daughter’s supposedly poor mental health. They told me they were considering a referral to the police to stop these unwanted calls. Their daughter left our workplace immediately afterwards and later returned by post the articles she had borrowed from me.
By now, I had witnessed sufficient strange behaviours in that workplace to understand that the environment there was not what I considered ‘normal’. I hung on to the job for almost three years before being edged out myself in similarly bizarre circumstances. Afterwards, I discovered that Claire Enders is the offspring of a former United States ambassador born “into a family of wealthy patricians” who, attending Yale, was “a member of one of the secret societies which are said to guarantee success in life”, according to ‘The Independent’. His 1996 ‘New York Times’ obituary said his “career was highlighted by cold war intrigues in tropical climes”, having survived three assassination attempts whilst stationed in Cambodia. Why was I reminded of 'The Omen'?
During 2008, I was given so much work at Enders Analysis that I only managed to take a single day’s holiday the entire year to attend my daughter’s graduation ceremony. Having explained the reason for my absence, Claire Enders regularly suggested she could find employment for my daughter through her contacts. No enquiry seemed necessary about her studied subject or what might be her interests or ambitions. This is how the job market appears to work amongst the privileged. You can always be found a highly paid job bossing around ‘little people’ in some workplace, regardless of having no relevant experience or understanding of the industry. Admittance requires only proof that you too are proposed by one of the chosen few. After the things I had witnessed in my workplace, I would have preferred my daughter be unemployed than participate in the ‘gravy train’ of the upper classes. No interloper will be infiltrating my harmonious family!
After my first night at the opera, I was never invited by Enders to another social event. Neither have I had occasion to wear my expensive jacket again.
The conversation at the Radio Academy event in London entitled 'Is Radio Racist?' became heated when the chairman, 'LBC' morning show presenter James O’Brien [JO], was questioned by 'BBC Five Live' overnight presenter Dotun Adebayo [DA] about the absence of ethnic minority presenters at LBC. At the start of the event, O’Brien said he had been asked to chair the debate because “I am actually officially the whitest person working in the broadcasting industry today.”
DA: “James, you work for a London station. How many black presenters are there, when 20% of the London population is African-Caribbean or Asian? How many black presenters are there on LBC?”
JO: “That’s interesting because there aren’t any black presenters currently.”
DA: “If I ask James how many black cleaners there are at LBC, it would be a high percentage.”
JO: “For what it’s worth, that’s not true. If you had asked me about production staff, I would point at two or three colleagues, both current and former, who are from ethnic minorities. I object to that question because I don’t think their colour is relevant to their ability to do the job.”
DA: “That wasn’t the point. I gave you one example of London media where there are no [ethnic] presenters. You should be embarrassed about that, James.”
JO: “I think that, at the moment, I am the best person to be presenting my show and colour is entirely irrelevant to that equation. If someone who is better than me comes along, they will get my job, whatever colour they are. I would hope my employer would have the bravery to appoint the best person for the job and not say…..”
DA: “How can you explain the fact that there isn’t one black presenter on your station?”
JO: “How would you like to be the one who only got the job because there aren’t any black people on the station?”
DA: “I would be happy to get the job because at least it was an opportunity for me, whereas there is no opportunity for me there at the moment. There are no black presenters at LBC. That’s something that’s disgraceful and you know that.”
JO: “I dispute that entirely, but it’s not about me. If you want to hear me talk about myself, I’ll be back on LBC 97.3 FM tomorrow morning [laughter from audience].”
Later in the debate, Salim Salam [SS], a former BBC producer now working for digital station 'Colourful Radio', returned the discussion to the same issue:
SS: “It’s a managerial question. Given that you want to have a media industry which is broadly reflective of the society in which it operates, and in the case of the BBC is directly paid for by that society, then you should be looking to get (LBC being an example) a station which is broadly representative of the society to which it is broadcasting. And the fact that it’s not is a managerial question.”
JO: “LBC takes up 24 hours of programming, of which every single one, expect for two [hours] between 5 and 7am, is phone-in. So if you want to talk about a radio station that provides a platform and an opportunity for every single citizen in the city to put forward their case, their perspective, their experience or their opinion, a phone-in programme or a phone-in station is almost immune to these accusations.”
SS: “No, it’s not, because I’m talking about the people who present the programmes and who make the programmes, which actually affects the editorial. There are two elements to this question. One is: who’s making the programmes and who’s presenting the programmes, and who’s doing the hiring and firing? … The other question is the editorial, and it’s not always a question of people walking around deliberately looking for opportunities to discriminate against black people. It’s about the questions that you ask. Muslim people, for example, have a hell of a lot of questions to ask about a lot of things. There’s nobody asking those questions for them because the editorial lines that are being taken all come from one particular point of view, and then the questions that are asked follow the perceived lines of wisdom or the orthodoxy of the time. So, if you are looking for an industry that is broadly reflective of the society in which it operates, you have got to ask yourself why is it not (whether it is racism or not)? Secondly, if you are looking for solutions to that, look at who is doing the hiring and firing. Who do they know? Are they capable of making a rational judgement when they are faced with those applicants? The BBC’s own figures will tell you that black people, once they get to the final interview stage, are still three times less likely to get the job than their white counterparts. Are you telling me that black people are three times less talented or able? I’m not of that opinion. I think it’s either unconscious discrimination, or whatever it is.”
Jimmy Buckland, external affairs officer of RadioCentre, provided the meeting with data from the forthcoming SkillCentre 2006 Employment Census which found the radio industry overall employs 6.9% of staff from black and minority ethnic backgrounds, comprising 3.1% in commercial radio and 10.9% in BBC radio. Explaining that these results appear skewed because “commercial radio is more regional based than the BBC”, Buckland said that 19% of commercial radio’s workforce is based in London, compared to 59% of the BBC’s. He added: “What we have here is a problem of representation, definitely.”
[First published in edited form in 'The Radio Magazine' as 'LBC Quizzed Over All-White Presenter Team', #777, 28 February 2007]
It was only just daylight when I suddenly realised that the phone was ringing. It seemed to take me ages to drag my weary body out of bed, as the phone continued to ring long and hard. Who on earth would want to phone me at this early hour on a Saturday morning? I toyed with the notion that it might be my former girlfriend, who seemed determined to inflict as much hurt on me as possible, despite our relationship having ended abruptly through her own infidelity and lies.
But it was not her. It was [‘KISS FM’ managing director] Gordon McNamee, calling me from his mobile phone. He said he was standing in the middle of his local park, walking his dog, accompanied by his mother. I could hear in the background that it was pouring with rain. McNamee asked if I had the home phone number of any of the Independent Broadcasting Authority [media regulator IBA] staff so that he could find out whether KISS FM had won the licence. I asked him why he was so anxious to find out at such an early hour in the morning. McNamee told me that ‘Music Week’ magazine’s radio correspondent, Bob Tyler, had rung him at home at around eight o’clock that morning to find out if he knew who had won the licences. McNamee admitted that he had heard nothing, despite knowing that the decisions had been made by the IBA at its Thursday meeting and should be announced imminently. McNamee told me that he had stayed at the KISS FM office [in Finsbury Park] all day Friday, but there had still been no phone call from the IBA, so he assumed that KISS FM had lost the licence for the second time, and had returned home.
Bob Tyler had phoned McNamee a second time at around nine o’clock that morning to say that he had just heard a rumour that KISS FM had won a licence, though there was still no means of official confirmation. McNamee, feeling agitated and frustrated, had decided to get out of bed and take his dog for a walk in the local park. Halfway across the park, it had started to pour with rain. Then, just as he, his mother and his dog had run for shelter, McNamee’s mobile phone had rung again. This time it was Richard Brooks, media editor of ‘The Observer’ newspaper, offering his congratulations to McNamee on KISS FM’s win of one of the two licences, and asking for a comment to include in the next day’s issue. McNamee thanked Brooks for his call, but emphasised that he himself had not been told the news and so would have to obtain official confirmation from the IBA before he could say anything publicly. Brooks assured him that he had seen a letter sent to one of the losing applicants which definitely stated that KISS FM and easy listening applicant ‘Melody Radio’ were the two winners. McNamee promised to ring him back as soon as possible.
There was jubilation in the park, despite the torrential rain. McNamee and his mother leapt up and down with excitement, watched by an astonished old man who was also sheltering from the storm. The old man asked them what all the fuss was about and, when McNamee told him he had just won a hotly contested radio licence, the old man offered him a celebration roll-your-own cigarette and apologised for not having a cigar. Now, McNamee needed to find out from the IBA if the news was true, and why it had been broken to him by a journalist, rather than in an official IBA communication. That was when he had rung me. I told McNamee that I probably had the home phone number of one of the IBA officers, if the paperwork had not disappeared from my flat, so I would find it and try to obtain official confirmation. I quickly found the home phone number of the IBA press officer, Stuart Patterson, on the top of an old press release he had sent me. I called him and, although he himself refused to confirm or deny whether KISS FM had won, he promised to arrange for someone from the IBA radio division to call me as soon as possible.
It was only a few minutes later that David Vick, the IBA’s principal radio development officer, called me. At first, he was pre-occupied with explaining to me the protocol of the IBA announcement, and did not tell me outright that KISS FM had won:
“Hi, it’s David Vick from the IBA. I gather you’re the only people who haven’t got the news officially yet ... I’ve just had a quick word with Stuart, obviously ... We’ve told the winners that they might expect calls from journalists. What we’re anxious not to happen, and maybe it’s a false hope now, is for journalists to ring losers before they’ve got their letters. But clearly, the Christmas post is so unpredictable that our best laid plans have fallen apart this morning.”
“I didn’t ring Stuart as a journalist,” I interrupted. “It was the KISS FM side ... Did we get it or didn’t we?”
“Yes, of course you did,” answered Vick.
“Oh, brilliant,” I screamed. I was elated. Until now, I and the rest of the KISS FM team could only have dreamed of this moment when the IBA would ring us to say that we had won a radio licence. Now, it had really happened. I was very tired. I was still shattered from the long journey home [from a holiday in The Gambia the previous evening]. I had only just woken up, but I was also incredibly happy that my hard work on the licence application had won out in the end.
“Congratulations,” said Vick, while I gasped with joy at the other end of the call. He remained far more composed than I was right now, and he continued to explain the detail of the announcement: “I don’t know how The Observer got hold of it. Clearly, one of the losers has talked to The Observer fairly early on this morning, because they’ve been hot on the trail from quite early on. So congratulations on that.”
I was still laughing and whooping at my end of the conversation, as Vick continued: “We normally do ring winners on Saturday morning but, this time, we’ve been playing it so laid back and ultra cool that I hadn’t actually planned to do that. All the letters seem to have got through, but clearly some of the most serious applicants have given business addresses, and they’re the ones who haven’t actually got the letters. You’re not unique. We’ve had a vexed Lord Hanson [of Melody Radio, the other licence winner] ring us this morning, asking what’s going on and why is he being rung by journalists.”
Vick continued: “You and Lord Hanson have been in the identical situation this morning of being rung by The Observer and others at the crack of dawn, and not known what was going on ... What we didn’t want was for losers who haven’t got their letters this morning to find out from the newspapers either on Sunday or ideally on Monday ... We had a terrible botch-up with the Post Office on one of the previous months. And, this time, I rang the district postmaster yesterday afternoon and said ‘look, we’ve got another run of letters going through.’ And he said he’d do his best to catch them the moment they arrived at the sorting office and hustle them straight through for us. And he’s clearly done the job with unfailing skill and everything’s arrived this morning. But the ones going to business addresses, yours and Hanson’s and some of the other quite serious applicants, have ended up hearing about it through the grapevine as a result.”
“Oh, this is brilliant,” I gasped. I was still far from composed and I was barely taking in Vick’s pre-occupation with the minor points of the procedure. We had won! That was all that was important to me right there and then. We had won! Vick continued regardless: “We told everybody our press release would be [published] Tuesday morning. But I’ve spoken to Peter Baldwin [IBA director of radio] and Stuart [Patterson], and that’s clearly crazy now, so we’re going to issue the press release early Monday morning. So, if you could bear to at least smile inwardly and say as little as you can to the press until then ...”
I was muttering words of agreement without really taking in all the detail that Vick was relating. He could tell my excitement was getting the better of me, so he suddenly changed gear: “Well done. We’ll obviously have a lot to do with each other in the months ahead. One of the things we’ve said in the letter is that, if you could come in [to the IBA office] and meet us all in the next couple of weeks, that would be super.”
“We would love to,” I replied, still giggling uncontrollably. Once more, Vick was keen to discuss the nitty gritty, right here and now on a Saturday morning: “Very well done. It was an excellent application. The trouble is that you’re going to get a lot of griping comment now from people saying that they [the IBA] only did it to keep the pirate lobby happy. The fact was that it was a bloody good application that got it on merit, because we certainly wouldn’t have given it to you if the application hadn’t been deserving of it.”
It was incredibly pleasing to hear Vick credit the KISS FM application after all the hard work I had put into it. I felt that, finally, I had been vindicated for my insistence to McNamee that the whole licence application had to be as perfectly presented as possible on this occasion. I thanked Vick for his kind comments, and he continued: “I think, to be honest, that the extra six months actually did you a lot of good. Not that the first application was bad or anything but, in this one, you had clearly learnt so much over the last six months, and you had strengthened it in so many ways. And, fortunately, by majoring on the new release aspect of the daytime [music] playlist, you’ve given us a very solid peg to hang the ‘diversity’ point on. Because, when ‘Capital [Radio]’ and others predictably start complaining, we can actually point to the fact that you are going to be playing the music before it gets in the charts, and they will play it after it gets in the charts, which gives greater diversity.”
Since its launch in 1973, Capital Radio had been London’s one and only commercial pop music station, and it was still eager to defend what it considered to be its own rightful territory – a monopoly over playing pop music in the capital. The IBA was charged with widening the choice of radio stations available to listeners, whilst not duplicating the existing output of Capital Radio. The emphasis I had placed in the KISS FM application on the station’s championing of new music had proven to be precisely the argument the IBA could use to defend a decision to award KISS FM the licence. Admittedly, Capital Radio did play dance music within its programmes, but it only played songs that were already in the ‘Top Forty’ singles chart. KISS FM would be playing mostly new releases, before they gained widespread popularity. My strategy for the KISS FM application had worked exactly as I had intended, which Vick confirmed as he continued to relate the detail: “The press release actually says that KISS FM has been chosen as a station that will be in the forefront of music tastes and that’s your market position, as we define it.”
McNamee must have returned home by now, so I gave his home telephone number to Vick and thanked him for calling me so promptly. It was absolutely brilliant news and I was still utterly ecstatic. I tried to phone McNamee straight away, but Vick must have managed to get through to him first. I continued re-dialling for several minutes, until the phone eventually rang. McNamee was shouting down the phone to me over the top of a loud conversation I could hear in the background:
“Grant, you c*nt,” he greeted me, in his typically perverse way. “We’ve got it! I can’t believe it! David Vick just phoned me and we went through the whole lot. I can’t fucking believe it.”
There was loud laughter in the background and McNamee already sounded drunk on the news, in spirit, if not in reality: “You’ve got a job! Your gamble worked out. We’ve all got a job. Fucking wonderful! It’s wonderful! It’s just unbelievable. I’m going to be down at Dingwalls [nightclub in Camden] tonight and the whole world will be, I should think. I’m going to phone everyone today. I’ll talk to you later on. I’ve got to phone all the bosses, and I’ll talk to you later.”
McNamee was right. My gamble had paid off. I had believed that KISS FM could win the licence, if only someone was prepared to work hard on the application this time around. Then, when McNamee had failed to take up the challenge, I had decided to take on the task myself. While McNamee had been pre-occupied with his initial failure, I had been determined to turn KISS FM’s second application into a winner. Asked subsequently what had persuaded the IBA to award KISS FM a radio licence, David Vick answered: “A well-researched application and musical knowledge.”
It was pleasing to know that my strategies had been proven correct. It was my detailed research and my belief in KISS FM’s musical expertise that had swung the licence bid. Now, here I was, having learnt the good news only hours after arriving back in the country. If KISS FM had lost its licence bid this second time around, I would have had no job to return to. Plus, my flat had been deliberately and spitefully emptied [by my former girlfriend whilst I had been away]. But these things did not matter to me anymore. The dream I had cherished for so many years of a legal black music radio station in London was about to become a reality at last. I had played my part in turning that dream into reality. I was absolutely thrilled. For me, it was literally a dream come true.
India? I might have loved the 1980 song of that name by ‘The Psychedelic Furs’ but had never entertained going there. Then an email arrived from John Catlett, who had hired me the previous decade to assist him rebooting radio stations in Russia and East Europe, informing me that he had just been contracted for three years to launch and manage India’s first local commercial FM radio stations. Did I want to join him on a six-month on-site consulting contract? Desperation made that decision for me.
I had moved to Toronto in 1996 whilst working for huge American public corporation Metromedia International Inc. Within a year of that relocation, my job had suddenly and unexpectedly come to an abrupt end. ‘Suddenly’ because I had been invited down to its New York City office supposedly to finalise my appointment as vice president (promised by Metromedia International Group president Carl Brazell), only to be told to my face by recently appointed marketing president Bill Hogan that I was to be replaced immediately by a newly recruited American. ‘Unexpectedly’ because, during the previous four years, I had implemented very successful strategies that relaunched radio stations Metromedia had acquired in Russia, Hungary and Latvia.
Since that setback, I had spent three years making approaches and job applications to Toronto’s dozens of radio stations, none of which cared to reply. The industry there turned out to be incredibly insular, dominated by national media groups and family businesses who had no interest in hiring an ‘outsider’. I had already had to leave Britain after having failed to secure a radio job there, despite having managed the most successful station launch of the decade at London’s ‘KISS FM’. Now I was having to relocate temporarily to India because Toronto had proven an equally impossible nut to crack. By then, I was desperate for radio work after a gap of three years.
On 11 October 2000, I brought my completed visa application form to the Indian Consulate in Toronto at the 9.30am opening time, took a numbered ticket from the dispenser and waited patiently for two hours until my number was called. I passed my documents to the clerk at the window, who told me the visa charge was $120. I asked her why, when the form itself stated the fee was $78 for a one-year visa. She waved me to an office at the end of the counter to see someone else.
I waited my turn to enter this small office, where a male officer asked me what my problem was. I explained that there was no problem, but that the form said the visa was $78. "This is an old form," he said, "the price has changed." I showed him that my form, printed by the Toronto Consulate, was dated August 2000 and I had collected it only a few days ago. The officer quickly became very angry and told me: "What does it matter to you how much it is? We give you a receipt." I explained that I had brought with me my budgeted cash amount of $78. The officer slammed my passport and papers down on his desk and shouted at me: "Either you want a visa, or you don't want a visa." So I picked up my papers and exited his office.
I returned to the line of visa windows and waited for a clerk to become free again. But the officer had followed me out of his office and now stood right in front of me, pushing me back from the windows and shouting in my face: "You are a crazy man. You are a crazy, crazy man. Who do you think you are, coming in here and demanding preferential treatment? What makes you so special? You must wait your turn, just like everybody else. Why do you want to be treated so special? You are a crazy, crazy man." Then he stormed off. I was dumbstruck. The only thing I had done was ask why the price had suddenly increased by $42. The crowd of more than a hundred people in the waiting room looked at me in astonishment. I patiently waited my turn again and the same clerk at the same window I had visited earlier charged me $130, a further increase of $10 within only a few minutes.
WORLD MUSIC? The phrase is used with such regularity by the media in recent times that you might think the term had existed forever. But 'world music' was in fact a name artificially created by a small group of music industry people who met monthly during 1987 in a public house in London, England (somewhat appropriately named 'The Empress Of Russia'). 'World music' was devised as an appropriate answer to a simple problem.
Since the early 1980's, a handful of small, independent record labels had sprung up in Britain that were releasing music recorded in Africa, East Europe, Asia and Latin America. These record companies were not interested in the traditional music or quaint 'ethnic' recordings from these continents that western record companies had dabbled in since the earliest days of the phonograph. Instead, upstart labels such as Earthworks, Globestyle and Sterns were interested in bringing the vibrant, contemporary, popular music from other continents to the attention of music fans in Europe and North America. The problem was that record stores throughout the western world had no obvious place to display or file such recordings in their inventory. A record-buyer looking for an album by, for example, The Super Rail Band in music stores had no obvious place to find it. It could be in the 'folk' section, though it was not folk music. It might be in the soul section ("well, the musicians are black, aren't they?") but the music certainly was not soul. So The Super Rail Band was most likely to end up in the 'S' division of the huge 'rock/pop' alphabet, lost in a sea of pouting, preening third-rate mediocrity.
The independent record companies were frustrated by this situation and hurting financially. The potential buyers of their releases were failing to find these albums in record stores. And the record stores were caught in the middle of the situation. If they ordered this type of music product, where should they file it to maximise sales? It was a real problem for all parties. By 1987, a label such as Globestyle had developed an extensive catalogue of 25 album titles, and there needed to be an obvious single point in every record store where potential buyers could find its releases.
The result was a series of regular meetings in 'The Empress of Russia' attended by the managers of twelve pioneering British record labels, as well as DJ's of the few radio shows that played this music, and representatives of record distributors that specialised in this music. By the third meeting, the ad hoc group had agreed upon the name 'world music' as descriptive of all their releases, and each record company contributed £50 per album title towards a jointly funded generic marketing campaign.
Twelve-inch plastic divider cards with the words 'WORLD MUSIC' emblazoned across the top were distributed to every record store across Britain, enabling each to establish a brand new section in its display of album sleeves (this was the pre-CD era). 25,000 copies were distributed of a single-sheet, monochrome leaflet that listed 73 albums available from the twelve record companies. Press releases explaining and describing this new genre called 'world music' were sent to everyone on a media list created by pooling the contacts of the individual record companies.
The interest from all sections of the British media was overwhelming. Many magazines and newspapers ran feature articles about the campaign, as well as spotlights on individual artists whose recordings were being promoted. In October 1987, the popular weekly music newspaper 'NME' produced a special 'NME World Music Cassette' which acted as a sampler for all the record labels' individual releases. By the end of the year, the term 'world music' had been adopted as a new genre of music, not only in Britain, but across Europe.
And what exactly did the phrase 'world music' mean? One of the press releases produced in the marketing campaign explained: "Trying to reach a definition of 'world music' provoked much lengthy discussion [within the committee], and finally it was agreed that it means practically any music that isn't, at present, catered for by its own category e.g.: reggae, jazz, blues, folk. Perhaps the common factor unifying all these world music [record] labels is the passionate commitment of all the individuals to the music itself."
Eleven years later, the debate about the meaning of 'world music' continues to ignite much passion, but the original campaign succeeded beyond its participants' wildest dreams. A section of 'world music' – whatever it is – can now be found in music stores across the western world.
[First published in 'Toronto World Arts Scene' magazine, August 1998(??)]
"Clackety-clack clackety-clack, from Kalamazoo to Timbuctoo, from Timbuctoo and back!”
As a young reader, I learned these words by heart from a favourite children’s book, ‘The Train to Timbuctoo’ written in 1951 by Margaret Wise Brown. I daydreamed about the journey between these two strangely-named railway stations, evoked so perfectly by the author’s prose and accompanying illustrations. Decades later, I discovered I had been sold a fantasy, it being as improbable to take a train from Kalamazoo (a city in Michigan) to Timbuktu (an ancient city in Mali) as it would to line up at Marrakesh station ticket office behind Graham Nash. Only recently did I learn that Timbuctoo (a different spelling from the Mali one) is in fact the name of: a ghost town in California; a small settlement in New Jersey; and a failed farming community in upstate New York, none of which boast a railway station. Whichever were the book’s fantasy locations, I never did manage to travel there … by train or other means. But it had stimulated dreams of foreign sojourns.
Although I never read the book, the haunting instrumental theme music to the French dramatisation of ‘Robinson Crusoe’ remains embedded in my memory, half a century after having watched its thirteen black-and-white dubbed episodes repeated ad nauseum on BBC children’s television. Seven-year-old suburban me was enthralled by the prospect of living beside the sandy beach of a sunny tropical island, despite my aversion to spiders and snakes. Scenic landscapes filmed on Gran Canaria looked picture-postcard remarkable in the era before ‘package holidays’ and ‘charter flights’ opened up international travel. The series fomented a childhood dream of one day relishing a ‘simple’ life beside a gently lapping sea … perhaps accompanied by a ‘Girl Friday’ such as Tuesday Weld whom I had just ogled alongside ‘Richard Kimble’ in ‘The Fugitive’, my parents’ favourite TV serial. It was ‘Robinson Crusoe’ that fostered dreams of island-living.
For a month during early 2004, much of my time was wasted sat at a desk in the air-conditioned open-plan BBC office in Phnom Penh with a workload stymied by disagreements with management over the danger of fulfilling my contract in the crumbling Radio National Kampuchea headquarters, following the recent workplace death of a staff member. Seeking escapism from these frustrations, I listened to the few extant streaming reggae music stations of the time, but found none were playing the selection of ‘roots’ oldies I desired. My fruitless search had identified a gap in the global online market for listeners like me who had grown up during reggae’s most fertile and creative period between the 1960’s and 1980’s.
On my return to the UK later that year, I spent months awaiting the follow-up BBC work contracts I had been promised, but which never materialised. Without employment, I busied myself creating an automated online music station ‘rootsrockreggae’, digitising 15,000 reggae recordings I had collected since childhood. Broadcast from servers in Jamaica, I managed the operation remotely, generating revenue from a few local advertisers and commissions from listeners buying compact discs of music they had heard. It started small but, using an early iteration of ‘Google Ads’ to target North American reggae fans, the audience grew quickly. Within a few years, Winamp/Shoutcast ranked it amongst the five most listened to online reggae radio stations in the world, attracting an audience of tens of thousands each day. Its online player displayed constantly updated headlines from Jamaica, reggae news and weather reports, using my computer programming skills first learnt in the 1970's. Like most online start-ups, sadly it never turned a profit.
Out of the blue, I received an email from the engineer of an FM radio station ‘Kyak 106’, asking if it could re-broadcast rootsrockreggae’s online overnight stream of dub and DJ music when no live presenters were available. I found the station’s website, listened and loved its enthusiasm for reggae, broadcasting to an island called Carriacou of which I knew absolutely nothing. I responded positively. This random communication prompted me to find out more about the location where my online station was suddenly being broadcast on 106.3 FM.
I discovered that Carriacou is a 12-square-mile island in the southeast Caribbean Sea with a population of 9,000. It is part of the former British colony of Grenada, independent since 1974 but retaining King Charles III as head of state. Physically, it is closer to Saint Vincent & The Grenadines (another independent former British colony, population 110,000, 4 miles away) than to the main island of Grenada (population 120,000, 17 miles away). Reading what little I could find online, I was quickly charmed by Carriacou’s old-style, friendly, relaxed way of life. It was not a resort island for rich Americans, its single airstrip too small for commercial planes, its colourful buildings were low-rise and its capital Hillsborough (population 1,200) had the feel of a quaint village with a short ‘High Street’.
Such was my enthusiasm, buoyed by regular listening to Kyak 106’s live shows, that I started to sketch a budget holiday plan for Carriacou, taking a Monarch Airlines flight from the UK to Grenada, a ferry to the island and staying at ‘Ades Dream Guesthouse’. Initially, it was time constraints that delayed such a visit because my workload had permitted only a single day off that year (to attend my daughter’s graduation). Then, having unexpectedly and suddenly lost my over-demanding job and unable to find another, finance became the restricting factor.
Inevitably, life moved on. Although the listenership to my reggae station had continued to grow, revenues fell precipitously when the dollar commissions earned from compact disc sales were replaced by mere cents generated by newly legalised MP3 download sales. Lacking a job, I reluctantly closed rootsrockreggae in 2009, even though it was now regularly ranked the most-listened online reggae station in the world after five years continuously on-air. It was a disappointing and frustrating time. Without access to development funds, life had to be focused on survival above all else. I promised myself to retire to Carriacou as soon as I won the lottery.
Kyak 106 closed in 2014, the product of a falling-out between two of its three directors that escalated as far as a 2022 High Court judgement. Station engineer Michael Ward, having been summarily sacked by presenter Kimberlain 'Kim D King' Mills, proceeded to commandeer the radio station and continue broadcasting from its Belair studio in Carriacou, until Mills called time and unilaterally shut the operation. Subsequently, Ward transformed Kyak 106 into an automated online reggae music station, adopting a slogan ‘Roots Rock Reggae from Carriacou’ that sounded remarkably familiar!
28 August 2008. When tropical storm Gustav arrived in Jamaica, I was listening for news to FM talk radio station ‘Power 106’ where presenter Althea McKenzie remained barricaded in its Bradley Avenue studio in Half Way Tree for hours on end. You could hear the wind and the rains aggressively pounding the building as she valiantly relayed information updates for residents and took phone calls from listeners, her voice sometimes wracked with dread and emotion. It produced some of the most impressive (but frightening) live radio I have ever heard, for which she should have won some broadcasting award. Gustav resulted in fifteen deaths and US$210m in damages on the island. McKenzie is still heard daily from 5am on this excellent station. I still dreamt of living on a Caribbean island, despite weather disasters such as this.
October 2017. I had accompanied my daughter for a meal in a Wokingham pizzeria when my sister asked me: “If you could live anywhere in the world, where would you want to be?” Without hesitation, repetition or deviation, I responded: “Carriacou.” The dream was still alive.
1 July 2024. Category 4 Hurricane Beryl tore through Carriacou on Monday morning, destroying 98% of its buildings, cutting its electricity, water supply and mobile phone coverage. Houses were reduced to matchsticks. Huge trees were uprooted. All vegetation was stripped away, turning the island from luscious green to brown. Several people (number still unconfirmed) died. Roads became impassable. All communication with the outside world was lost. To discover what had happened there, I turned to YouTube. There I discovered award-winning American journalist and ‘storm chaser’ Jonathan Petramala who had arrived on the island the previous day with colleague Brandon Clement to document the hurricane’s passage. His videos provided an absolutely remarkable record of the devastation.
Two decades earlier, when I had first sought information about Carriacou, YouTube was yet to launch. Today there are dozens of videos about the island. Petramala captured the ‘calm before the storm’ mere hours before the hurricane struck, incorporating drone footage illustrating the charm of its colourful buildings and its ‘paradise’ sandy beaches. His impassioned commentary heralded the calamity that was to come and, although the island’s one petrol station had closed after a run on fuel and the mini-mart was busy, there was no evident panic. “It’s going to be horrific,” he said … and it was.
The following day’s video was a bleak testament to the destruction Carriacou had endured. “This island is shredded,” Petramala commented. “These people are in desperate need of help.” A resident said: “Right now, Carriacou is finished for a couple of years.” I had never seen anything weather-related as shocking as the complete devastation shown here. It resembled a war-zone. The drone shots were heartbreaking. Another shell-shocked resident said: “The thing is: we have three [storm] systems right behind it. What about the people who don’t have the time to recover, who don’t have a roof over their head, who don’t have the resources to rebuild?”
This video was unique because communications (mobile, internet, radio) had been completely lost on the island in the hurricane’s aftermath. Carriacou has no TV station and its two local FM radios (‘Vibes 101.3’ and ‘Sister Isles 92.9’) had been knocked out. Using a vehicle battery, Petramala uploaded his video via the Starlink satellite. That Tuesday, there was no other footage online. Residents could be seen filming on their mobile phones but there was no signal coverage to share or upload videos and no electricity to keep their phones charged. The island’s population was in an evident state of shock. Petramala’s footage, in which he made repeated appeals for outsiders to help the population, was used in weather stories broadcast by television stations the world over to illustrate the disaster, deservedly garnering millions of views.
The next day, Wednesday, roads in the capital had been partially cleared by residents, allowing Petramala to explore beyond by vehicle. His next video showed the ‘Dover Government School’, designated as one of eight emergency shelters on the island, entirely reduced to rubble. Those who were sheltering there had to evacuate to its tiny library outbuilding completed in April 2023 that remained standing. In March 2023, the 40-bed Princess Royal Smart Hospital had reopened in Belair with fanfare as the island’s sole hospital after having been “retrofitted to improve [its] resistance to disasters like hurricanes”, using funds from the UK government and Pan American Health Organization. This video showed all its facilities unusable due to water damage.
Then, arriving at the government’s Emergency Operations Centre on Carriacou, also in Belair, Petramala explained to its seemingly baffled staff:
“I’m the only journalist on the island. We have a Starlink [satellite terminal] so we’ve been able to get in touch with the government down in Grenada. I think we’re the only people who have contact with the outside [world]. They want to be able to get in touch with you guys but nothing is working. … We can set [Starlink] up outside and give you guys ten minutes if you want to call down to the government in Grenada and communicate what has happened here.”
Surprisingly, the Centre did not appear to be a hive of activity after such total devastation. We did learn that only five of the island’s eight emergency shelters had survived (for 9,000 population?). Although the building’s generator was powering lighting, its "communications hub" (as promised by the US Charge d'Affaires) had not survived the hurricane, despite this "fantastic facility" having only been completed in 2021 with US$3m funding from the US Embassy. Did we see a basic radio transceiver (even a retail amateur radio set) to provide SOME two-way inter-island communication? No. Did we see walkie-talkies used by emergency staff for intra-island communication? No. An apparent dependence on commercial mobile phone networks (operators Digicell and Flow) was, er, unwise when their towers prove so vulnerable to weather and power issues.
Set up in their vehicle, Petramala and Clement allowed nearby traumatised residents to use their Starlink satellite link to contact their loved ones overseas, leading to emotional scenes. Later that day, a helicopter landed at Carriacou’s airport, Grenada prime minster Dickon Mitchell emerged and, interviewed by Petramala, resembled a deer caught in headlights (commented my wife). He promised aid “from tomorrow” but proposed recruitment of volunteers from the mainland and assistance from other countries over guaranteeing immediate assistance from his government. For islanders who had no homes, no water, no electricity, no food and no petrol, with vehicles destroyed and roads blocked, the unfortunate impression was of a lack of urgency two days after the hurricane had hit. (Excellent silent drone footage of the devastation recorded by Clement fills six YouTube videos.)
While Petramala and Clement had been arriving in Carriacou on the eve of the hurricane, Belair resident Rina Mills had been similarly filming from her vehicle the calm that reined that Sunday before the storm (accompanied by Belair youth worker Shem ‘Ambassador’ Quamina). Employed by the Carriacou office of the ‘Grenada Tourism Authority’, Mills’ warnings about the impending disaster were stark and serious. With hindsight, this video (like her many others) was a testament to the beauty of the island though, within a few hours, it sadly became a historic record of how much habitat and infrastructure were about to be destroyed. Her exceptional knowledge of the geography, history and culture of Carriacou, combined with her informal conversations, made her videos compelling. She promised: “After the storm, we’ll do an update as well.”
However, the next day’s destruction of mobile phone masts prevented Mills from updating viewers until Friday, when her 24-minute live feed was managed only by climbing to a high point on the south of the island to connect over the horizon to an antenna on the mainland. Mills and her partner had lost their home, like many other islanders, and appeared in an understandable state of shock whilst cataloguing the “total devastation” of their island and five known associated deaths. It was a sad, upsetting video that acknowledged how precarious is our day-to-day existence, whilst also demonstrating the resilience of the population and its sense of community in the face of unprecedented disaster. The contrast with Mills’ chatty pre-disaster videos could not have been starker. Coincidentally, I heard Mills interviewed that weekend on the BBC World Service show ‘Newshour’ about Beryl’s impact on Carriacou.
Once partial mobile communication was restored on the island, Mills uploaded video previously recorded in the aftermath of the hurricane. In the centre of the capital Hillsborough, next to the destroyed Post Office, a mobile water desalination plant had been set up to offer free drinking water to residents. This vital resource had been provided by American religious charity ‘Samaritan’s Purse’ which amazingly had dispatched a DC-8 cargo plane to Grenada (video of landing) the day after the hurricane, loaded with materials (video) to establish a field hospital, desalination plants around the island, foodstuffs, tarpaulins, clothing and bedding. Two dozen of its volunteers were airlifted to Carriacou and a barge was chartered the following day to bring the equipment there from Grenada. It was a much-needed vital resource at a time when Grenada government assistance was still not visible. “Hats off to Samaritan’s Purse,” commented Mills’ partner. “They were the first to get here, in my opinion.”
I had never heard of Samaritan’s Purse but was incredibly impressed by the scale and urgency of its work, operating a fleet of 24 aircraft and two helicopters from North Carolina. Video of a public tour of this DC-8 plane at the Dayton Air Show only days earlier demonstrated the huge volume of supplies it had carried. Its volunteers quickly spread across the island, distributing materials to residents from churches (Pastor Happy Akasie’s church in Brunswick in this video). By the following week, it had set up its second field hospital in Carriacou with doctors, nurses, medications and counsellors (video). Despite the island’s hotels/B&B’s having been destroyed, the charity operates self-sufficiently, building its own accommodation and bringing food and water for staff. It seems to embody the fictional Tracy family’s ‘International Rescue’.
Towards the end of this video, Mills understandably rails against sightseers arriving by ferry from Grenada merely to video the destruction in order to attract ‘hits’ to their social media channels. One example of this was bizarre ‘Coleen AKA Bright Diamond’ from the mainland who appeared to enjoy her ‘day out’ on the destroyed island, travelling on the back of an aid truck, making inappropriate comments, drinking from a wine bottle in the back of a car and buying bottled beer. Afterwards, the Grenada government introduced vetting of ferry travellers to Carriacou to prevent further ‘disaster tourists’ consuming the island’s scarce resources. Fortunately, these self-promoting types were in a minority, overshadowed by the many people and organisations who arrived on Carriacou to genuinely help out.
British solicitor and author Nadine Matheson had been visiting her parents’ house on Carriacou when the hurricane struck and recorded this scary video of its almost total destruction. Once back home, she is recording informative updates on her parents’ situation and a fundraising effort to replace the house’s roof. The structure is now covered by a temporary blue tarpaulin which, like so many other properties, was donated by Samaritan’s Purse.
Meanwhile, videos published by the Grenada government since the disaster have proven a quite surreal soft-focus experience after the stark wholesale destruction visible in locally-made videos. After its prime minister (who is additionally minister for disaster management) visited the island, one video showed him standing on the wreckage of a resident’s home, looking wistfully into the distance, accompanied by soft tinkling music. Its editor seems to be a big fan of 1980’s Lionel Ritchie music videos. There is lots of footage of government officials in fluorescent vests talking to each other, pointing at the destruction and being interviewed explaining what WILL happen but – dare I say? – not much footage of action IMMEDIATELY to tackle this humanitarian crisis. Initially, the government's media focus (including its partly owned GBN television channel) was much more on the relatively minor damage suffered on the main island, rather than the total destruction of 'sister isle' Carriacou.
Watching hours and hours of government press conferences uploaded online, I was struck by the preoccupation with ‘process’ they exhibit, talking endlessly about which department and which officers are responsible, which meetings WILL take place and who reports to whom. This habitual use of the future tense is alarming when what should be stated was what had ALREADY happened and what was happening RIGHT NOW. The government’s adoption of the slogan ‘Carriacou and Petite Martinique Will Rise Again!’ for the disaster seems symptomatic of this somewhat wishful thinking. It raises the big question: WHEN? Electricity is unlikely to be restored to the whole island for many months. Petrol remains in short supply. The situation on-the-ground for islanders remains dire.
The government press briefing on 9 July, eight days after the hurricane had hit, promised: a 2,000-gallon water truck loaned by a company on St Lucia “will commence distribution to residents starting Wednesday July 10th 2024”; then “a second 1,800-gallon water truck loaned by the Barbados Water Authority is expected to arrive on Carriacou during the coming week.” Does Grenada not own one water truck? How have 9,000 people on Carriacou been expected to survive without government-supplied fresh water for more than a week? Why does the co-ordinator of Grenada’s ‘National Disaster Management Agency’ (whose last web site news update was three weeks ago), Dr Terence Walters, seem to consider in this press conference that distributing 2,000 food packages to residents (who number 9,000) five days after the hurricane hit was a satisfactory response?
Coincidentally, a mere four days before Hurricane Beryl hit Carriacou, a 120-page report entitled ‘Grenada: National Disaster Preparedness Baseline Assessment’ had been published by the ‘Pacific Disaster Center’. It concluded that:
“… results for Grenada showed significant multi-hazard exposure including hurricane winds, earthquakes, and volcanoes with nearly the entire population exposed. […] The assessment pointed to vulnerabilities due to Environmental Stress, Information Access, and Gender Inequality and significant deficiencies in coping capacity areas such as Air Support and Transportation Capacity indicating enhancements are necessary to bolster Grenada’s disaster response capabilities. Addressing these gaps, alongside targeted efforts to mitigate the identified vulnerabilities, will strengthen the nation’s overall resilience to disasters. […] Strengthening communication and information management systems is essential to support effective disaster response and comprehensive risk reduction strategies.” [emphasis added]
In 2019, the World Bank had allocated US$20m to be drawn down by Grenada to address natural catastrophes, but had noted in its report:
"[Grenada's] Institutional capacity for implementation [risk] is rated Substantial due to weak inter-institutional coordination and the lack of technical expertise. Implementing the proposed operation will require the integrated work of several actors at the national and local levels to move the proposed policy actions forward. This could result in scattered, low impact, and/or uncoordinated actions." [emphasis added]
Estimated damages and losses to Grenada's economy from its most significant disasters suffered between 1975 and 2018 were estimated by the World Bank to have totalled US$967m (at 2017 prices). Hurricane Beryl's financial impact is likely to be greater than these prior disasters combined, eclipsing the island's annual GDP several times. Evidently, the fiscal catastrophe of accelerating climate change not only decimates small economies such as Grenada's but cumulatively will precipitate a global diversion of resources away from consumption towards mitigation and repair of weather, temperature and sea level changes.
It was evident in videos posted online that aid had quickly arrived from diverse sources: generous individuals, volunteers and groups on mainland Grenada, other Caribbean islands, the United Nations, France providing boats of supplies and troops on the ground (Grenada has no army), global charities. I watched a video of the French ambassador to Grenada interviewed whilst off-loading aid. Have I similarly seen the British high commissioner or governor general on Carriacou? Maybe I missed them. On 5 July, the UK provided £0.5m of immediate aid to Grenada and St Vincent, but will more substantial longer term assistance be forthcoming from the island’s former colonial power?
In 1983, the United States had sent 7,300 troops to invade and occupy Grenada because president Reagan chose to believe its newly built airport, funded partially by the British government, would be used to land Soviet bombers. 45 Grenadians were killed and 358 wounded. Today, if a major power were to devote similar resources to rebuild Carriacou quickly, its population might be able to endure the hardship it currently faces. However, despite residents suffering no electricity, water, food or a roof over their heads and with several emergency shelters destroyed, the government in Grenada has no current plan for significant evacuation of the island, preferring to remove only pregnant women, residents of old people’s homes and the hospitalised. How long are its citizens expected to survive when no cash is available from destroyed banks or ATM’s, forcing residents to make a four-hour round trip to the mainland? In 2024, these generous and stoic island people have been marooned in a hellish medieval landscape.
My dream of island-living is over for now. Carriacou can never be the same again. What will happen there is difficult to fathom. Its economy, seemingly reliant on retirees from the diaspora and small-scale tourism (independent travellers and two marinas of yachts) is ruined, forcing its people to make lifechanging decisions. Nowhere have I read that Grenada main island’s schools and sports halls have been opened to Carriacou refugees who have lost everything. At a time when thousands of its residents remain sat amongst the ruins of their dwellings, the Grenada government announced precipitously that:
“… the [Cayman Islands] Premier is extending an invitation to Grenadians who wish to work in the Cayman Islands, to return with her on Tuesday July 16 2024.”
The premier of this British Overseas Territory (population 85,000) was due to deliver aid relief to Grenada that day, but not before a further press statement had to hurriedly clarify that “no such offer was made during the courtesy call made to the Prime Minister of Grenada by the Premier of the Cayman Islands” and withdraw the implied invitation to potential economic migrants. Oh dear. (I recall when 8,000 refugees out of a population of 13,000 left the decimated Caribbean island of Montserrat following its 1995 volcanic eruption.)
I never got to visit Carriacou but, compared to the suffering endured presently by its resilient people, my regrets are insignificant. Watching the news from Carriacou engenders a sense of helplessness in the face of such overwhelming humanitarian need. I am highlighting Carriacou here only because it has been on my mind for two decades since receiving that fateful email from Kyak 106. The neighbouring islands of Petit Martinique and Union Island have been just as badly devastated by Hurricane Beryl. Though I am continuing to follow events in Carriacou, the mainstream media has inevitably moved on swiftly to other disasters elsewhere.
Observing the aftermath of this catastrophic event since 1 July has merely reinforced the devastating impact of ‘climate change’ us humans have foisted upon populations who have done nothing to cause it. Nobody on Earth can afford to ignore this issue because its effects will inevitably be coming to your corner of the world soon. Nobody will be immune. It is coming to get you, whether or not you choose to believe it is real. Voicing this eloquently was an emotional call-to-arms video (initially at https://youtu.be/oYn-XarQM3M but mysteriously deleted since) by United Nations climate change executive secretary Simon Stiell who is seen hugging his grandmother amongst the ruins of her home on Carriacou, his homeland.
After having viewed Beryl’s immediate impact from a helicopter, Grenada prime minister Dickon Mitchell had described the destruction as “Armageddon-like” in a press briefing and promised:
“We know it is not something that will happen overnight, but we certainly believe that in the next week to two and a half weeks we should have a complete clean up.”
Weeks later, new videos from Carriacou continue to show a post-Armageddon catastrophe that could last months and years for its beleaguered population.
POSTSCRIPT
On 27 Jul, this blog entry had suggested "Hurricane Beryl's financial impact [on Grenada's economy] is likely to be greater than these prior disasters [1975 to 2018] combined, eclipsing the island's annual GDP several times." The World Bank had previously documented that "damages and losses" from Hurricane Ivan in 2008 had amounted to 148% of Grenada's then GDP.
On 30 Jul, Grenada prime minister Dickon Mitchell, closing the 47th CARICOM heads of state meeting he hosted and chaired there, suggested that the country's early estimated losses from Hurricane Beryl would amount to EC$ 1,000,000,000 = US$ 370,000,000.
A back-of-the envelope calculation of this assertion:
* Grenada GDP = US$ 1,320,000,000 (source: World Bank)
* 98% of buildings destroyed or damaged in Carriacou & Petit Martinique (source: Grenada government)
* estimated population of Carriacou & Petit Martinique = 9,000
* estimated number of buildings (homes + businesses + public buildings) = 5,000 (wild guess)
* estimated impact on GDP = 28%
* estimated impact per building on GDP = US$ 75,500
However, the destroyed buildings included public schools, emergency shelters, Carriacou's hospital, post office and police station, each likely to cost millions to rebuild/repair. Additional costs include destroyed infrastructure such as island-wide overhead electric cabling, ports, marinas, airport, beaches, agriculture, fishing, environment plus lost tourism income (14% of Grenada GDP in 2019, source: UN).
